I’ve been anticipating Spellbound (1945) for quite a while now pretty much for Gregory Peck but also because I’ve been wanting to see who Ingrid Bergman is (soooorrrrryyy if you are in shock that I’d never seen her. And yes, that means I’ve haven’t seen Casablanca either but that will change soon). You’ll most likely be shocked to know that I’ve never seen an Alfred Hitchcock movie either. Shaking your head in disbelief?
I’ve rectified all that as of yesterday evening.
For those of you who don’t know the story, here you go: Dr Constance Petersen (Ingrid Bergman) is a psychiatrist who falls in love with the new Doctor “Dr Edwards” (Gregory Peck). However, she soon learns that things are not what they seem and that the new doctor is actually an amnesiac imposter who has periodic “attacks” triggered by certain visual cues. Determined to get to the bottom of this and convinced that he is not a murderer or dangerous, she risks her career and safety until the truth comes out.
So, what are my first impressions? Well, I thoroughly enjoyed the movie. Not sure what I was expecting but, as is usually the case, not this. I think I may have expected this high-tension thriller with (subconsciously) some birds thrown in together with some screaming shower scene. Instead, I got a suspense movie that had just enough tension and a great story (including some romance). Despite anticipating the ending, or at least, the outcome, it wasn’t all that obvious and I was kept wondering the whole way through as to how it would unravel.
I’m biased when it comes to Gregory Peck whom I always enjoy watching, but I really like/d Ingrid Bergman. Can’t believe I’d never watched her before. I’m going to give more of her roles a go and definitely more Alfred Hitchcock too.
Nominated for 6 Oscars, the only win went to Miklós Rózsa for Best Music, Scoring of a Dramatic or Comedy Picture. This is definitely deserving because the music was actually one thing that stood out for me while watching. Yes, it built up tension (as it usually does), but it was also a comfort mechanism for me because it noticeably preempted the upcoming scenes. This meant I could relax a bit, knowing this wasn’t the end of Constance.
A great movie. Definitely one I’ll watch again.