Daniel Day-Lewis

Melting Pot of Injustice…The Crucible

How utterly disgusting the misuse of power, the deceit of people and the abuse of innocence.

That is how I found The Crucible (1996). Don’t get me wrong…not the movie being disgusting but what people are capable of. All for their own agenda. How they destroy the lives of good and innocent people. The reasons are numerous….some for revenge, some in the name of higher institutions, others just to save their own lives because they’ve been pulled into this vicious circle.

The story is set during the Salem witch-hunts in the period of 1692 to 1693. What starts as a group of girls dancing around a fire in the forest while “casting love spells” for those they dream of, becomes a hysterical hunt for anyone and everyone even looking in the wrong direction or saying the wrong word at the wrong time. Little do these girls know what their revelry has unleashed as almost every family in the village has some charge of witchcraft against them. Where formerly the community lived in harmony and happiness (with the usual village politics), even those who are know for their goodness suddenly become suspects and scapegoats for other’s problems, greed or misdoings. Anyone who is different is prejudiced. Anyone who was honest now lies to stay alive.

I’d read Arthur Miller’s The Crucible many years ago at high school and remember enjoying it. Although, I barely remembered the story. I’d been meaning to watch this for ages and starring one of my favourite actors, Daniel Day-Lewis, I no longer had an excuse. One seeing the opening credits I was happy to see that Arthur Miller wrote the screenplay. I always appreciate that in movies because it means the story stays close to what the author envisages. Or, at least wants to be shown in the movie. This certainly paid off in this case as Arthur Miller was nominated for both an Academy Award for “Best Writing, Screenplay Based on Material Previously Produced or Published” and BAFTA Award for “Best Screenplay – Adapted”. The movie also received Academy Award and Golden Globe Award nominations in other categories and won a BAFTA for Best Supporting Actor.

The play won the 1953 Tony Award for Best Play. So wow, really quite an achievement for both arts in which it has been presented.

The movie is very powerful and, although I’m not a sensitive person, I found it extremely exhausting to watch. I felt frustrated and disgusted by the characters and wished the “authorities” could just come to their senses and see what was really going on. And wished that those who stood up and tried to challenge the system wouldn’t be shut down. And that people can just be accepted for who they are even if they are different. I can’t remember being that upset with society back at school when reading it. Maybe it is because in the movie the atrocities are visual. Or that time has changed my outlook.

As you already know, the story and screenplay were written by Arthur Miller and is brought to life by a stellar cast of Daniel Day-Lewis, Joan Allen, Winona Ryder, Paul Scofield, Rob Campbell, Jeffrey Jones and many more. Well worth a watch but not light fare.

For other movies that are based on Tony Award winning plays, head on over to Taking Up Room for her Tony Edition of The Fourth Broadway Bound Blogathon over here: here.

 

Ultimate 90s: The Last of the Mohicans

Catherine from Thoughts All Sorts joins us for the blogathon today. Catherine gives her thoughts on all sorts of topics on her blog, from movies to music to books. She also takes part in every blogathon she can get her hands on! Go check her site out to see everything she has to say. Today, […]

via Ultimate 90s Blogathon: The Last of the Mohicans (1992) by Thoughts All Sorts — Drew’s Movie Reviews

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The Romantic in me…

For starters, don’t read this if you don’t want me spoiling things for you. So:

I’m a romantic. Let me rephrase. I’m a hopeless romantic. The one who thrives on that tumbling, twisting feeling in my stomach when two characters finally fall in love. But not just any two characters. No, they have to be strong and independent with lots and lots of oomph! Their journey to each other mustn’t be obvious and definitely not soppy but also not the overused “we hate each other but actually love each other” type. In fact, the romantic kick I need is the kind that is not typically “romantic drama” or “romantic comedy” formula driven material. Don’t get me wrong, in order for my escapism to be satisfactory, I do want a happy ending (otherwise, what’s the point?) but, not the cheesy guy-and-girl-get-together-as-you-predicted-from-the-first-few-minutes-and-live-happily-ever-after, but a rich, rewarding, more realistic ending where there is genuine hope that they will stay together. Here are the ones that are my absolute best:

One of the most romantic movie moments for me is in Centurion, where Quintus Dias (Michael Fassbender) and his two roman colleagues come across the dwelling of Arianne (Imogen Poots). Quintus Dias has been a tough, yet intelligent, ruthless Roman until this point. She has been living on her own (I admire her), using the guise of being a witch to keep men from the nearby garrison away. Without a moment of doubt, she holds her own but for some reason (fate?) she lets Dias and his men into her home, risking her life. These two form such a natural bond that Dias sees her home as the place he ultimately belongs. He doesn’t give up his quest for her, she doesn’t beg him to stay, yet, their actions are so much more romantic, more real because of this. Nothing like a good cat-and-mouse action movie with such tenderness thrown in to give a bit of a pace reduction for just a few minutes yet having such an impact.

Then, moving on to one of my favourite films in general, but, also one of the most romantic. The Last of the Mohicans. Wow, now there is romance. In the wild frontier of America, you get this absolute heart-wrenching love.  What is more romantic that Hawkeye (Daniel Day-Lewis) and Uncas (Eric Schweig) running through the carnage of an attack to save the women they have come to love. Or the waterfall scene where Hawkeye says to Cora (Madeleine Stowe) “No matter how long it takes, no matter how far, I will find you” and Uncas just holding Alice (Jodhi May) not requiring any words. In fact, the Uncas/Alice love story is so understated that it leaves me wishing it had been more prominent. But then, had that been the case, I doubt it would have been as heart-felt, as real, and as rewarding, even though, she does get a bit needy and helpless at times. But, thinking about it, how much more could have been said about their love than Alice throwing herself off the cliff to be with Uncas?

Yellow Sky, now that’s an amazing film. This 1948 black and white film is absolutely fantastic with James ‘Stretch’ Dawson (Gregory Peck) taking his bank robbing gang across the desert to hide out in a ghost town. Here he comes across Constance Mae (Anne Baxter), disguised as Mike, and her grandfather. As the story unfolds, Stretch discovers that Mike is Mae but, we also see the contradiction of Mike/Mae where she is tough and holds her own, yet, at other times wants to be a lady. This is so much more rewarding that the usual man saves damsel in distress scenario. He simply lets her be who she really is and vice versa.

Ah – Robin Hood, the Russell Crowe and Cate Blanchett version. I just love the amazing love story that develops between Robin Longstride and Marion Loxley. There is utmost respect for each other from the moment they meet. Both are strong and independent without ever changing who they are for each other. The most romantic part is, not when they finally dance together or when they bid each other farewell stating their love, but, when Marion arrives on the beach of the Cliffs of Dover to help fight. They stand by each other, working together yet always staying true to themselves.

And man, oh, man. I spent the entire first season of the brilliant Peaky Blinders wanting, needing, silently begging Thomas (Cillian Murphy) and Grace (Annabelle Wallis) to get together. I was tortured to the last episode for that to finally happen and therefore it had so much more impact. Grace makes all the right (or wrong, depending on your stance) decisions fully knowing the potential consequences yet staying true to herself while rationally knowing she shouldn’t be falling in love with a tough, uncompromising gangster.

Then, the Swiss Family Robinson (1960) deserves a mention. Yes, Roberta (Janet Munro) comes across as the stereotype helpless damsel to be rescued, but, cut me some slack here – watching Fritz (James MacArthur) and her fall in love is just beautiful. She may not be the strong independent woman at first, but, she rises to the challenge and puts her whole heart into the situation that has come her way. This story leaves me wanting more but, realistically, all that needs saying is said and anything more or less would not have worked. I guess what it comes down to is that by leaving the viewer craving that feel-good effect, the goal has been achieved.

Then there are those films that leave you wishing, wanting the hinted or implied romance being developed more. The likes of The Quick and the Dead (Sharon Stone’s Ellen and Russell Crowe’s Cort), Broken Arrow (Christian Slater’s Hale and Samantha Mathis’ Terry), and oh my gosh…Ironclad where the brilliant James Purefoy’s Thomas Marshal and Kate Mara’s Lady Isabel develop an understated relationship. Ultimately, for me, the romance is in the strong women and the men who love them. Or, maybe, it’s the fact that these films have romances second to the main story and therefore have so much more impact. But, that “addictively” strange lurching feeling, that’s when I know a scene has worked with me, regardless of the actors (being good or bad) but the fact that they have successfully portrayed an emotion that has reached the audience.