…gosh, what’s on my mind? This is the Great Villain Blogathon…right? And I’d put my name down for Prince John from Robin Hood (2010)…right? And, my mind is clearly elsewhere because I got sidetracked…right? Wrong…because…actually, the real villain here is not Prince John (Oscar Isaac)…he’s merely being, should we say, gently guided, by the
sexiest nastiest man with ulterior motives. Oooh….but there’s just something about Godfrey, who just wouldn’t be the same if played by any other actor than Mark Strong.
I’d very quickly realised that Prince John is simply a spoilt brat who wants his way. And he’s too busy having his way (not with his wife) to really pose any threat. Yes, he might have his moments, purely out of having some sort of power kick, but Godfrey, he’s there ever so subtly, or not, steering things. Weaseling his way into everything. Being English “when it suits me” French when that works better.
Godfrey has this presence from the very start. He’s clearly not phased by airs and graces, so comfortable is he around Philip of France during their (and our) first encounter. With that introduction comes…a perfect piece of music that will forever be associated with him…this one:
…it is Godfrey for me…staccato, slightly evasive, yet with an underlying hardness, energy, gradually increasing in drive, just like this man…all to gradually crescendo to a point where he eats the human blood stained oyster. The things people do. He encourages his men to plunder from the dead and doesn’t hesitate a moment to yank on the lance embedded in a dying knight. All in a day’s work it seems. And he’s so smooth when he does this.
And if his initial presence isn’t enough, somehow the scar on his cheek from Robin’s arrow simply makes him meaner in terms of personality as well as looks. Oh, and according to seasoned expert Prince John, the “ladies will love you all the more” for it. It amplifies his
sexiness, oh no, did I write that again? “villain-ness” while he’s always listening, always scheming:
Addressed as “my Lord” by both the French and the English, this man will casually instruct his men to get rid of someone or patiently wait in the sidelines for an opportunity to present itself. Strategically positioning himself during court meetings, saying just the right things, while Prince John is too busy dealing his family and greed issues. Wait…isn’t that an ever so slight (sly) smile on his face as he is about to officially serve the crown? Nicely played Godfrey, nicely played:
“Choose carefully the spot Godfrey, where you would place your dagger”, so obvious to everyone including William Marshal (William Hurt). A man to be wary of.
This must be one of the most heartless villains…who gives an old man news of his son, proudly telling him that “I’m the one who killed him” (left in a French ditch)??? To entice a fighting reaction from a blind man…plain mean.
Yet, at the end of the day, things must come to an end for him. And, while cowardly trying to race from the battlefield, this villain has had lots of personality. He has a certain presence that doesn’t even need his “signature” theme music. You notice him in all the scenes he’s in. He’s so bad yet somehow I feel drawn to him. He has the blatant audacity to pursue his goals. The way he holds himself. Confident, almost elegant. And while I obviously don’t support his behaviour, it is this type of character, acted perfectly by Mark Strong, that allows that “guilty pleasure” of being drawn to the bad guy. Because, that’s what movies allow us. Escapism.
For my previous entries to the Great Villain Blogathon, pop past Villain, Villain on the wall (here) and Meanest of the Mean…Ma-Ma (here). I’ve also written a piece on Mark Strong as a character actor in A Strong Character… (here)
And of course all the other entries to the Great Villain Blogathon can be found here (Shadows and Satin), here (Speakeasy) and here (Silver Screenings).
Here some impressions together with his theme song: